The Girl Who Smiled Beads: A Story of War and What Comes After
“Affecting and utterly eye-opening, The Girl Who Smiled Beads is a powerful reminder of just how strong and indomitable the human spirit can be.”
Women of the World believes in the power of stories: to heal, to detail our humanity, and to hope. In Clemantine Wamariya’s story of seeking refuge (she fled Rwanda at age six with her elder sister) and resettlement (eventually in Chicago), we get all of this and more, a courageous voice that is a force to be reckoned with.
Women of the World is working together with Crown Publishing to have a Skype question and answer forum with Clemantine and her co-author Elizabeth Weil. It is especially exciting for Women of the World to support the burgeoning career of a young, female refugee writer as so many of our ladies have expressed an interest in sharing their stories.
Please continue to stay-tuned to Women of the World’s Facebook page for more details on events with Clemantine.
“This book is not a conventional story about war and its aftermath; it’s a powerful coming-of-age story in which a girl explores her identity in the wake of a brutal war that destroyed her family and home. Wamariya is an exceptional narrator and her story is unforgettable.”
— Publishers Weekly
From the cover:
Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbors began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. In 1994, she and her fifteen-year-old sister, Claire, fled the Rwandan massacre and spent the next six years migrating through seven African countries, searching for safety—perpetually hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty. They did not know whether their parents were dead or alive.
When Clemantine was twelve, she and her sister were granted refugee status in the United States; there, in Chicago, their lives diverged. Though their bond remained unbreakable, Claire, who had for so long protected and provided for Clemantine, was a single mother struggling to make ends meet, while Clemantine was taken in by a family who raised her as their own. She seemed—at least on the surface—to live the American dream: attending private school, taking up cheerleading, and, ultimately, graduating from Yale. Yet the years of being treated as less than human, of going hungry and seeing death, could not be erased. She felt at the same time six years old and one hundred years old.
In The Girl Who Smiled Beads, Clemantine provokes us to look beyond the label of “victim” and recognize the power of imagination to transcend even the most profound injuries and aftershocks. Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to constructing a life on her own terms.